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<channel>
	<title>Fabiola Carranza</title>
	<link>https://fabiolacarranza.info</link>
	<description>Fabiola Carranza</description>
	<pubDate>Fri, 28 Apr 2023 21:22:46 +0000</pubDate>
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		<title>Top Nav</title>
				
		<link>https://fabiolacarranza.info/Top-Nav</link>

		<pubDate>Fri, 28 Apr 2023 21:22:46 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

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		<description>
	BIO
I am a Costa Rican&#124;Canadian artist, writer and educator. I hold a PhD in Art History, Theory and Criticism with an Art Practice Concentration and a Critical Gender Studies Specialization from the University of California San Diego. At UCSD, I was a Katzin Fellow and a Black Studies Project Awardee. My dissertation focused on the art and life of stage and television actor and painter, Felicia Montealegre Bernstein (1922-1978) exploring her artwork and her commitment to intercultural solidarity in advance of civil rights during the 1970s. About my work: 
I make art that integrates a wide array of media from painting and sculpture, printmaking and photography, to performance-driven installation. 










My projects grow out of deep material research, often evolving into new permutations over multiple years, and reflecting my ongoing thematic concern with processes of subject formation, building community and/or amplifying the social relevance of artistic research. Currently, for example, my art practice involves weaving textiles using a shadow painting (or ikat) technique and black and white medium-format photography. I also often collaborate with small-scale fabricators to explore material histories through different frameworks—in particular, the use of archaic, traditional technologies commonly associated with gendered labour. Through such collaborations, I have produced work in pochoir, silversmithing, plastic, neon, and metal manufacturing techniques for display in gallery and in public contexts. Following this model, my public artwork, Seven Signs was exhibited at the Waterfront in Seattle (2016). Other notable exhibitions of my work have taken place at Plug In Institute for Contemporary Art (Winnipeg), the National Gallery of Costa Rica (San José), Contemporary Art Gallery (Vancouver), and at artist run centres in Canada, including Artspeak, Access, Blinkers and 221A. My writing has appeared in BOMB,&#38;nbsp;Canadian Art, Public Parking, Charcuterie, c magazine, PubLab and The Capilano Review. My play,&#38;nbsp;The Mexican Husband was published by Blank Cheque Press (2019) and Taller California (2025).&#38;nbsp; It was staged as a full theatrical production through Project [Blank] (2026) at Bread &#38;amp; Salt in San Diego (2026). The Mexican Husband was also staged as a reading-event at: Mandeville Gallery in San Diego (2024), at Vinegar Contemporary in Birmingham, Alabama (2022), at the 3rd Kamias Triannial in Manila (2020), at Artspeak in Vancouver (2019) and at Deslave in Tijuana (2018).&#38;nbsp;

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		<title>The Mexican Husband</title>
				
		<link>https://fabiolacarranza.info/The-Mexican-Husband</link>

		<pubDate>Tue, 07 Feb 2023 22:18:47 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

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		<description>

	
		
		
	
	
		
			
				
					
						The Mexican Husband

					
				
			
		
	
 

	
		
		
	
	
		
			
				
					
						As a biligual adaptation of Bertolt Brecht’s one-act play
“The Jewish Wife” (1937), my version follows
the events of a husband’s final night with his wife in Los Angeles before running
for the Mexican border.

						
A heartfelt account of the ways in which
exclusionary immigration policies play out,
‘The Mexican Husband’ asks questions about
the state of humanity in an era of immigration
enforcement, border walls, and enduring
prejudice — both visible and invisible.

	
		
		
	
	
		
			
				
					
						San Diego, California (2025), Tijuana, MEX (2017) Vancouver, CA (2019) Manila (2020) Birmingham, USA (2022)

					
				
			
		
	



					
				
			
		
	
At all locations where the play has been presented, performers have improvised using different props.&#38;nbsp;


Printed and bound by Blank Cheque Press in Vancouver.&#38;nbsp;October 2019
Bilingual edition in English and Spanish.
ISBN 978-0-9952644-9-656 pages, letterpress cover

5 ¾ x 7 ¾ inches
edition of 100http://www.blankchequepress.com/product/the-mexican-husband-un-marido-mexicano
Second Edition&#38;nbsp;
Printed by Taller California, May 2025https://tallercalifornia.org/



&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/17f7078aa854e7a6ab2d0f2b6da23cc28163642a2d13ff436731ede77367f392/IMG-0342.jpeg" data-mid="167643726" border="0"  src="https://freight.cargo.site/w/1000/i/17f7078aa854e7a6ab2d0f2b6da23cc28163642a2d13ff436731ede77367f392/IMG-0342.jpeg" /&#62;&#60;img width="748" height="1090" width_o="748" height_o="1090" data-src="https://freight.cargo.site/t/original/i/7b88bed8b8625a1df398d9825268f9431de744d0f891f374e3227deeb08cf157/Screen-Shot-2023-02-07-at-2.58.28-PM.png" data-mid="167644070" border="0"  src="https://freight.cargo.site/w/748/i/7b88bed8b8625a1df398d9825268f9431de744d0f891f374e3227deeb08cf157/Screen-Shot-2023-02-07-at-2.58.28-PM.png" /&#62;&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/273ba22d4d6014358c2a81bb7ffef44b4a1471cc6b23ed5479e5129e21c513be/96DC900B-94E4-44FF-BE76-D9C8A7FC002B.JPG" data-mid="167644226" border="0"  src="https://freight.cargo.site/w/1000/i/273ba22d4d6014358c2a81bb7ffef44b4a1471cc6b23ed5479e5129e21c513be/96DC900B-94E4-44FF-BE76-D9C8A7FC002B.JPG" /&#62;&#60;img width="828" height="1014" width_o="828" height_o="1014" data-src="https://freight.cargo.site/t/original/i/467aba52ad3bbb5d3a827cbdd77a61de31232a960aa5c0b279d5c0be034d49ab/IMG_0437.jpg" data-mid="167643795" border="0"  src="https://freight.cargo.site/w/828/i/467aba52ad3bbb5d3a827cbdd77a61de31232a960aa5c0b279d5c0be034d49ab/IMG_0437.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/75b813f50d49e2f3bd92eee82734ef24a69aa7a237afaf4558d7c1329dcbaf12/IMG_0766.jpeg" data-mid="167644214" border="0"  src="https://freight.cargo.site/w/1000/i/75b813f50d49e2f3bd92eee82734ef24a69aa7a237afaf4558d7c1329dcbaf12/IMG_0766.jpeg" /&#62;&#60;img width="422" height="586" width_o="422" height_o="586" data-src="https://freight.cargo.site/t/original/i/a51417be2ec27e635bde959ff19dd8486e7037cc47b4ea91f8f2d1cf176b1625/Screen-Shot-2023-02-07-at-2.58.37-PM.png" data-mid="167644067" border="0"  src="https://freight.cargo.site/w/422/i/a51417be2ec27e635bde959ff19dd8486e7037cc47b4ea91f8f2d1cf176b1625/Screen-Shot-2023-02-07-at-2.58.37-PM.png" /&#62;&#60;img width="794" height="1060" width_o="794" height_o="1060" data-src="https://freight.cargo.site/t/original/i/7a9d67eeb5ad51eb50895e1d7d79066ae31ed7c7d5d6f23ffc8a846036618b29/Screen-Shot-2023-02-07-at-2.58.01-PM.png" data-mid="167644080" border="0"  src="https://freight.cargo.site/w/794/i/7a9d67eeb5ad51eb50895e1d7d79066ae31ed7c7d5d6f23ffc8a846036618b29/Screen-Shot-2023-02-07-at-2.58.01-PM.png" /&#62;&#60;img width="872" height="480" width_o="872" height_o="480" data-src="https://freight.cargo.site/t/original/i/4b7b3bb928bab2adf9e597e9236785bf494a71fd7d6734bc5719b1ec515e9fd3/Screen-Shot-2023-02-07-at-2.58.08-PM.png" data-mid="167644101" border="0"  src="https://freight.cargo.site/w/872/i/4b7b3bb928bab2adf9e597e9236785bf494a71fd7d6734bc5719b1ec515e9fd3/Screen-Shot-2023-02-07-at-2.58.08-PM.png" /&#62;
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		<title>Corrida, 1929</title>
				
		<link>https://fabiolacarranza.info/Corrida-1929</link>

		<pubDate>Tue, 07 Feb 2023 22:18:46 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Corrida-1929</guid>

		<description>Corrida, 1929 




	
		
		
	
	
		
			
				
					
						I cast the light from two flashlights over the projection of a home movie of a bull-fight presumed
to have been shot by Man Ray. The film did not resurface in the scholarship around the artists
work until 1985. It is thought to have been shot by Ernest Hemingway who had borrowed Man
Ray's camera around the time that the film was made. I was interested in the themes of animism,
boredom and the use of bovine imagery in the study of seduction in works of art and literature.

					
				
			
		
	



video, 4:26
silent
1929, 2013

https://vimeo.com/110164643

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		<title>Liberté ou la mort, 2010 (2018)</title>
				
		<link>https://fabiolacarranza.info/Liberte-ou-la-mort-2010-2018</link>

		<pubDate>Tue, 07 Feb 2023 22:18:45 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Liberte-ou-la-mort-2010-2018</guid>

		<description>Liberté ou la mort


					
				
			
		
	



I bought the copyright to reproduce the only printed pamphlet of Haiti’s declaration of
independence. The document had been lost for over a century and was found
three weeks after Haiti was devastated by an earthquake (in 2010) by a Canadian
PhD art history student at the National Archives in London, England.

					
				
			
		
	


newsprint
french
1804

8. x 11. inches

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</description>
		
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		<title>Apocalypse in Solentiname</title>
				
		<link>https://fabiolacarranza.info/Apocalypse-in-Solentiname</link>

		<pubDate>Sat, 18 Feb 2023 16:53:47 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Apocalypse-in-Solentiname</guid>

		<description>Apocalypse at Solentiname

					
				
			
		
	
 This work stemmed from my investigation into the arts community in Mancarrón, Nicaragua, which was destroyed during the years of military conflict in the area and has subsequently been rebuilt. The series of photographs I made documented my travels into the archipelago of Solentiname, a collection of 36 islands in Lake Nicaragua where Isla Mancarrón is situated. The route I took from San José, Csota Rica to Mancarrón followed the one set out by Julio Cortázar in the short story, Apocalypse at Solentiname. In the story, Cortázar describes the idyllic scenes he photographed on his visit to the island: the artworks made by its residents, children playing soccer in a field, and a picturesque church. However, when he arrives home and looks at them again, to his horror, the pictures only show images of ruin. The current inhabitants of Mancarrón preserve an important cultural, artistic and socialist legacy. In 1966, Ernesto Cardenal founded the Contemplative Community of Our Lady of Solentiname on the island. Cardenal, who was a renowned poet, a liberation theologian and a former student of Thomas Merton, brought his knowledge of religion, painting and sculpture to the islanders and encouraged artists, writers and leftist supporters to come visit the community. In 1979, Anastasio Somoza’s army burned many of the island’s buildings to the ground after members of the community who belonged to the Frente Sandinista de Liberación Nacional lead an attack against government forces at the nearby township of San Carlos. During this conflict, three of the FSLN members who resided in Solentiname died and one was tortured. Today, residents of the island live in fear of Daniel Ortega’s wife, Rosario Murillo’s presence in the island who fostered strong antagonism to Ernesto Cardenal and his legacy and his ideas about the island’s future.&#38;nbsp;

9 silver gelatin prints 6x6”
First exhibited at Hardscrabble Gallery in VancouverPrinted with support from Eric F. Hood.Bilingual booklet in English and Spanish.

						
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		<title>Consignment</title>
				
		<link>https://fabiolacarranza.info/Consignment</link>

		<pubDate>Sat, 18 Feb 2023 16:58:00 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Consignment</guid>

		<description>Consignment 

I set up a consignment store specializing in the trade of engagement rings. Each ring was accompanied by information about the stone’s cut, size and shape. And owners were asked to sign a contract.

					
				
			
		
	



First exhibited at Artspeak Gallery in the exhibition 
The Weight of Lives I’m Not Living: 
Guy Ben-Ner, Fabiola Carranza, Naufus Ramirez-Figueroa 
March 31- May 12, 2012


&#60;img width="600" height="401" width_o="600" height_o="401" data-src="https://freight.cargo.site/t/original/i/15fb68d648581ae7315810899663c7c85d47ca6e0c3ae650ab603a89d24fbbb0/artspeak_entrance.jpg" data-mid="168878120" border="0" data-scale="63" src="https://freight.cargo.site/w/600/i/15fb68d648581ae7315810899663c7c85d47ca6e0c3ae650ab603a89d24fbbb0/artspeak_entrance.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ade67dd54869ca26370e1b10773c18d9a12131e8e1710d3330292e982d2a9a3a/fabiartspeak-17.jpg" data-mid="178724278" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/ade67dd54869ca26370e1b10773c18d9a12131e8e1710d3330292e982d2a9a3a/fabiartspeak-17.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0ecf4958033b8274011ac605cee85b0d8354f0bc83e31f1c4774fef1536724e6/03_fcarranza_consignment.jpg" data-mid="168878114" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/0ecf4958033b8274011ac605cee85b0d8354f0bc83e31f1c4774fef1536724e6/03_fcarranza_consignment.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/35a0c96624d565348c439ef4e47bf0b330544c39e6e4be0c9d740da9747949e6/ring_artspeak.jpg" data-mid="168878116" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/35a0c96624d565348c439ef4e47bf0b330544c39e6e4be0c9d740da9747949e6/ring_artspeak.jpg" /&#62;&#60;img width="1150" height="1492" width_o="1150" height_o="1492" data-src="https://freight.cargo.site/t/original/i/2614851acb8e06738d77e087778571ec2c9fa3d2ee04821d4c45658f2859129a/Screen-Shot-2023-05-14-at-10.14.51-AM.png" data-mid="178725542" border="0"  src="https://freight.cargo.site/w/1000/i/2614851acb8e06738d77e087778571ec2c9fa3d2ee04821d4c45658f2859129a/Screen-Shot-2023-05-14-at-10.14.51-AM.png" /&#62;</description>
		
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	<item>
		<title>plaza de toros</title>
				
		<link>https://fabiolacarranza.info/plaza-de-toros</link>

		<pubDate>Sat, 18 Feb 2023 17:00:07 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/plaza-de-toros</guid>

		<description>&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/214eaf266c930eeae1e775d4c936dfbf4c67943888467dc2bfe0b5450c9ad45a/calf_work_in_process.JPG" data-mid="168878189" border="0"  src="https://freight.cargo.site/w/1000/i/214eaf266c930eeae1e775d4c936dfbf4c67943888467dc2bfe0b5450c9ad45a/calf_work_in_process.JPG" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/95f29111562bf4c917936c2942078e6fb2e594ccb531db0d1a1ac633a60047ca/02fc2013bullringstudiomuraldetail.JPG" data-mid="168878190" border="0"  src="https://freight.cargo.site/w/1000/i/95f29111562bf4c917936c2942078e6fb2e594ccb531db0d1a1ac633a60047ca/02fc2013bullringstudiomuraldetail.JPG" /&#62;&#60;img width="2246" height="1500" width_o="2246" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9acac59eee2ca440b09f173f0cd0184a6f19b0232a8e9ddc5235e83c58f12d1d/01fc2013bullrignstudiomural.jpg" data-mid="168878192" border="0"  src="https://freight.cargo.site/w/1000/i/9acac59eee2ca440b09f173f0cd0184a6f19b0232a8e9ddc5235e83c58f12d1d/01fc2013bullrignstudiomural.jpg" /&#62;&#60;img width="1451" height="1140" width_o="1451" height_o="1140" data-src="https://freight.cargo.site/t/original/i/17350f17b5b21fdd415ed8896a3c48641ecbd6908f887661e54ca1033620b9c8/img044.jpg" data-mid="168878193" border="0"  src="https://freight.cargo.site/w/1000/i/17350f17b5b21fdd415ed8896a3c48641ecbd6908f887661e54ca1033620b9c8/img044.jpg" /&#62;&#60;img width="1445" height="1103" width_o="1445" height_o="1103" data-src="https://freight.cargo.site/t/original/i/5bb06583cf568924be6b709fe7f9e5442acd1e3489b6189bcb43f75e7f9b8b65/img040.jpg" data-mid="168878194" border="0"  src="https://freight.cargo.site/w/1000/i/5bb06583cf568924be6b709fe7f9e5442acd1e3489b6189bcb43f75e7f9b8b65/img040.jpg" /&#62;&#60;img width="1451" height="1145" width_o="1451" height_o="1145" data-src="https://freight.cargo.site/t/original/i/4492fc0d24d2aaecb58e895df86b358fb9ffc8b6b1814fd32f8a0465cd5baba2/img042.jpg" data-mid="168878196" border="0"  src="https://freight.cargo.site/w/1000/i/4492fc0d24d2aaecb58e895df86b358fb9ffc8b6b1814fd32f8a0465cd5baba2/img042.jpg" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d2b4314dcda56e235f239f173024c3b21e95aeddcecb134c1702842a15dd049a/bull_ring_02.JPG" data-mid="168878197" border="0"  src="https://freight.cargo.site/w/1000/i/d2b4314dcda56e235f239f173024c3b21e95aeddcecb134c1702842a15dd049a/bull_ring_02.JPG" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/f85e64dc6833dd28b8673ea646dfd5487e0abb0847377a1233fe9dbc18ed6af2/bull_ring.JPG" data-mid="168878198" border="0"  src="https://freight.cargo.site/w/1000/i/f85e64dc6833dd28b8673ea646dfd5487e0abb0847377a1233fe9dbc18ed6af2/bull_ring.JPG" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/7537667710d4d3459de29f4f5c2e3d2bd8a30ebb3fcf4cf9e2beb8dd75e85e2a/right_side.JPG" data-mid="168878199" border="0"  src="https://freight.cargo.site/w/1000/i/7537667710d4d3459de29f4f5c2e3d2bd8a30ebb3fcf4cf9e2beb8dd75e85e2a/right_side.JPG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Best</title>
				
		<link>https://fabiolacarranza.info/Best</link>

		<pubDate>Sat, 18 Feb 2023 16:52:35 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Best</guid>

		<description>&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/a7cebcc46ae2cedf03f60f3e72634ead2a026b7e55462ff25ed6ff6cba2f714f/02_best.jpg" data-mid="168877686" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/a7cebcc46ae2cedf03f60f3e72634ead2a026b7e55462ff25ed6ff6cba2f714f/02_best.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Metchosin Hall</title>
				
		<link>https://fabiolacarranza.info/Metchosin-Hall</link>

		<pubDate>Sat, 18 Feb 2023 16:50:27 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/Metchosin-Hall</guid>

		<description>&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/c5de6215af1636e74330719955c35c5d8b12ecdbbc9dcf690356768daf60afb4/05fc2011metchosinhall.jpg" data-mid="168877489" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/c5de6215af1636e74330719955c35c5d8b12ecdbbc9dcf690356768daf60afb4/05fc2011metchosinhall.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>El Hábito de estrofas</title>
				
		<link>https://fabiolacarranza.info/El-Habito-de-estrofas</link>

		<pubDate>Sat, 18 Feb 2023 16:55:21 +0000</pubDate>

		<dc:creator>Fabiola Carranza</dc:creator>

		<guid isPermaLink="true">https://fabiolacarranza.info/El-Habito-de-estrofas</guid>

		<description>&#60;img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/043e8dd548b8611cb3681bb90a373938cc8076f43c48de825dffa88c1be39940/fcarranza_04_habito-de-estrofas.jpg" data-mid="168878070" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/043e8dd548b8611cb3681bb90a373938cc8076f43c48de825dffa88c1be39940/fcarranza_04_habito-de-estrofas.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/79889662278f878babf40185dcd9e653d381b7988da5438c8311b5b013731a9a/el-molino.jpg" data-mid="168878076" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/79889662278f878babf40185dcd9e653d381b7988da5438c8311b5b013731a9a/el-molino.jpg" /&#62;</description>
		
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